The Photographers 2015 runs from 25 November to 23 December at Osborne Samuel and Beetles+Huxley, London. Here: Untitled, 1950, by Bert Hardy. (Photo by Bert Hardy/Beetles+Huxley & Osborne Samuel)

This outrageous display of facial hair configurations made an appearance at the 4th Annual National Beard and Mustache Championships in New Orleans. Luckily Las Vegas-based photographer Greg Anderson was on-hand to give us a front-row seat as the bizarre spectacle of facial hair paraded in front of his camera lens. The championships involved some 150 contestants from the U.S., U.K., and Canada who competed in 17 different categories.

“I wonder about everyone that I photograph, what are they thinking at the moment, what is going on in their life, what are they really like. Photographs are such abstractions of real life, both true and false at the same time and so limited in the scope of what can be captured, yet limitless in how it stimulates our imagination. Indeed, photography is a rich medium”. – Mike Peters. Photo: Meatpacking District, NYC, September 28, 2012. (Photo by Mike Peters)

David LaChapelle, Land Scape Anaheim, 2013, chromogenic print, 70 3/4 x 95 inches, 179.7 x 241.3 cm, edition of 3. Image courtesy of the artist and Paul Kasmin Gallery. (Photo by David LaChapelle Studio)

Yalena Leuliette, 7, of Greenbelt, Md., throws seeds from a cattail plant up in the air as she plays while visiting the Kenilworth Aquatic Gardens in northeast Washington, on Sunday, August 9, 2015. Leuliette visits the public garden with her parents a few times a year. (Photo by Jacquelyn Martin/AP Photo)

A model poses for a portrait backstage during Dakar Fashion Week July 10, 2011. (Photo by Finbarr O'Reilly/Reuters)

There’s no need to suspend your disbelief when viewing these stunning photographs – the exquisite images are the real-life interactions between humans and animals. (Photo by Katerina Plotnikova)

Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light”. (Photo by Brendan Fitzpatrick)