"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

Take a walk on the wild side around some of the most down right dangerous places in the world - and all without leaving your desk, courtesy of Google Street View. Since 2007, Google's amazing technology has given people the chance to visit the Eiffel Tower, peer out over San Francisco's Golden Gate Bridge or walk along a beach in the Bahamas. But as well as mapping the tourist-friendly hotspots, Google also ventured into places you really wouldn't want to find yourself. Here is a collection of some the most notorious areas captured by the infamous roaming camera cars from around the UK and the world.

Most probably wouldnt think of snakes, spiders and lizards as beautiful animals – but these photographs could change some minds. The images show the reptiles seemingly playful sides, from a gleeful looking Budgetts frog, a cheeky leopard sticking out its tongue at the camera and a stack of four colourful iguanas. Contrasted against a white background and shot with a Canon EOS 5D Mark 2 and macro lens, photographer Mickael Leger really made sure they could be seen in all their glory. Here: Gecko. (Photo by Mickael Leger/Caters News)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

“Two Brothers”. We found about 20 lions eating a buffalo. When the male leaved the group we anticipated him to take photos. It is 8AM, light is perfect and the position too. The lion stops and looks down from the hill, another lion is coming up, it stiffens, I think that will be a fight, i'm tense, the camera is OK, the shots previously made perfect. The two meet, looking directly into their eyes, they sniff, rub against their heads, the tension drops, they start walking with the same step as when they were puppies, they are two brothers. Photo location: Masai Mara, Kenya. (Photo and caption by Massimo Mei/National Geographic Photo Contest)

The festival marks the end of the monsoon season and beginning of autumn. More than hundred girls under the age of nine gathered for the tradition of worshiping young pre-pubescent girls as manifestations of the divine female energy. The ritual holds a strong religious significance in Newar community. It is a community affair held primarily to save small girls from diseases and bad luck in the years to come. Photo: A young Nepalese girl dressed as a Kumari or living Goddess, smiles for camera as she waits for Kumari puja at Hanuman Dhoka, Basantapur Durbar Square in Katmandu, Nepal, Tuesday, September 17, 2013. (Photo by Niranjan Shrestha/AP Photo)