«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

Reality TV personality Kim Kardashian speaks alongside US President Donald Trump during a second chance hiring and criminal justice reform event in the East Room of the White House in Washington, DC, June 13, 2019. (Photo by Saul Loeb/AFP Photo)

A passenger (L) gets inside a decorated matatu as other passengers wait for it to fill at night in the streets of Nairobi, Kenya, 24 March 2018. The Matatu culture is very big in Kenya, the minibuses are decorated with colorful graffiti inside and outside and most of them are equipped with TV screens, high-speed internet, and power sockets. (Photo by Daniel Irungu/EPA/EFE)

(L-R) Chris Diamantopoulos, AnnaLynne McCord, Matt Jones and Jane Seymour visit the Build Series at Build Studio on January 23, 2018 in New York City, United States. (Photo by Brad Barket/Getty Images)

Dario Sammartino, of Italy, competes at the final table during the World Series of Poker at the Rio hotel-casino in Las Vegas Sunday, July 14, 2019. (Photo by Steve Marcus/Las Vegas Sun via AP Photo)

Though it is often said that the human eye can be revealing about a person, Jakarta-based Indonesian artist Veri Apriyatno's series titled The Witnesses reveals a lot more about a person's surroundings through the reflection of their eyes. Each hyperrealistic mixed media creation in the series (made with charcoal, pencil, and acrylics on canvas) presents an entire world within the gaze of a glistening eye.

A cosplayer dressed as the actress Lucy Liu, as depicted in the animated series Futurama, poses for a photo at Comic-Con International in San Diego, California, U.S., July 23, 2022. (Photo by Bing Guan/Reuters)

A small series by illustration Alex Solis remembering those things that used to rule the world.