Lido cabaret dancers perform during a demonstration outside the cabaret as dancers, other employees and union activists are gathering to try to save their jobs and the history of the cabaret, known for its dinner theater and its “Bluebell Girls” revue, Saturday, May 28, 2022 in Paris. Amid financial troubles and changing times, the venue's new corporate owner is ditching most of the Lido's staff and its high-kicking, high-glamour dance shows – which date back decades and inspired copycats from Las Vegas to Beirut – in favor of more modest musical revues. (Photo by Thomas Padilla/AP Photo)

Boca Juniors' Paraguayan defender Bruno Valdez (bottom) and Nacional's forward Bruno Damiani fight for the ball during the Copa Libertadores round of 16 second leg football match between Argentina's Boca Juniors and Uruguay's Nacional, at La Bombonera stadium in Buenos Aires, on August 9, 2023. (Photo by Juan Mabromata/AFP Photo)

Alicia Finn-O’Shea, 10, talks to Chelsea Pensioners on the Mall during the Queen's Platinum Jubilee celebrations in London, United Kingdom on June 2, 2022 (Photo by Antonio Olmos/The Observer)

Mary Earps of England makes a save during an England Training Session at St George's Park on April 02, 2024 in Burton upon Trent, England. (Photo by Naomi Baker/The FA via Getty Images)

View from the Insta360 360 degree camera in the last decade of November 2023 attached to a satellite launched 500km into outer space. Chinese firm Insta360 say they have achieved “the first fully exposed camera in space” a feat which required a lot of preparation to get X2 ready for the harsh environment. (Photo by South West News Service)

American model Emily Ratajkowski walks on the grid during the F1 Grand Prix of Monaco at Circuit de Monaco on May 26, 2024 in Monte-Carlo, Monaco. (Photo by Claudia Greco/Reuters)

The USA’s Beatriz Hatz competes at Women's Long Jump -T64 final at the Stade de France stadium, during the 2024 Paralympics, Saturday, August 31, 2024, in Paris, France. (Photo by Ümit Bektaş/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.