To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

“Residents in a small town littered with giant potholes may be ready to “crack” the art world – after turning their massively damaged roads into hilarious masterpieces. Fun-natured drivers from Scranton, Pennsylvania have been challenged by an arts group to turn the ugly craters in their neighborhood into pothole art”. – Caters News. Photo: Cereal bowl pothole. (Photo by Caters News)

This artwork created using the end of a drill is the work of Swiss photographer Fabian Oefner who captures the flight of paint in just one 40,000th of a second. His latest Black Hole series celebrates the physics of centripetal force and the effects it has on simple paint and a an ordinary drill with a metal rod connected on the end. The incredible result of Fabians work comes out looking like a picture taken on the Hubble Telescope of some cosmic event. (Photo by Fabian Oefner/Caters News)

Alfred Hitchcock (1899 – 1980) in front of a caricature of his profile at a press reception in London for his new film “Frenzy”. (Photo by Central Press/Getty Images). 24th May 1972

Two sculputures at the waterfront in Marseille – Ever feel like youve forgotten something? No its not a mind trick – these are the amazing photos of sculptures done by a French artist. The sculptures are the work of Bruno Catalano and might look like theyre missing vital organs but the invisible bodies represent a world citizen according to their creator. (Photo by Caters News Agency)

A gallery staff member walks past Fleeting Monument (1985) by artist Cornelia Parker, one of the works on display at Yorkshire Sculpture Parks Longside Gallery as part of the “Making It: Sculpture in Britain 1977-1986” exhibition on March 27, 2015 in Barnsley, England. (Photo by Christopher Furlong/Getty Images)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)