A participant is hit by an orange during an annual carnival battle in the northern Italian town of Ivrea February 7, 2016. Dressed up as Middle Age kings' guards, a group of men ride in a horse-drawn carriage and pelt “foot soldiers” with oranges as thousands of people gather to re-enact a Middle Age battle when the townsfolk of Ivrea overthrew an evil king. In a strange twist, instead of swords and cross bows, these days the weapons of choice are oranges. (Photo by Stefano Rellandini/Reuters)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

This is the hilarious moment a terrified baby hippo ran screaming for its mum when a flock of bird landed on its back in South Luangwa National Park in Zambia. The hippo was seen screaming, running and twisting from side to side in a desperate bid to shake off the red and yellow ox-pecker birds. Ox-peckers and hippos usually have a mutually beneficial relationship where the birds help free hippos of ticks and other parasites by feeding on them. (Photo by Marc Mol/Caters News/SIPA Press)

A visitor takes pictures with a smartphone of an artwork entitled “Blue Europe, 2015” by Chinese artist Liu Bolin, on display during the exhibition “Visible Invisible” at the Mudec Museum in Milan on May 14, 2019. Liu Bolin known as “the invisible man” for his photographic self-portraits, focused on a body-painting blending with the surrounding area. (Photo by Miguel Medina/AFP Photo)

Models painted in camouflage colours to blend in with the background pose for Chinese artist Liu Bolin's artwork “Dongji”, or Winter Solstice, on the second day after China's capital Beijing issued its second ever “red alert” for air pollution, in Beijing, China, December 20, 2015. In this artwork, Liu wants to express his concerns about China and its people, including air pollution problem, Liu told Reuters. (Photo by Kim Kyung-Hoon/Reuters)

WrestlerTeddy Sheedi (L) fights his opponent during the traditional Sindhi Malakhra wrestling in Karachi, Pakistan, 13 December 2020. A Malakhra match begins with both wrestlers tying a twisted cloth around the opponent's waist. Each one then holds onto the opponent's waistcloth and tries to throw him to the ground. (Photo by Shahzaib Akber/EPA/EFE)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.