A Muslim bride waits for the start of a mass marriage ceremony in Mumbai, India, January 27, 2016. A total of 12 Muslim couples took their wedding vows during the mass marriage ceremony organised by a Muslim voluntary organisation, organisers said. (Photo by Danish Siddiqui/Reuters)

Associated Press photographer Wong Maye-E tries to get her North Korean subjects to open up as much as is possible in an authoritarian country with no tolerance for dissent and great distrust of foreigners. She has taken dozens of portraits of North Koreans over the past three years, often after breaking the ice by taking photos with an instant camera and sharing them. Her question for everyone she photographs: What is your motto? Their answers reflect both their varied lives and the government that looms incessantly over all of them. (Photo by Wong Maye-E/AP Photo)

French First Lady Carla Bruni-Sarkozy waits for the spouses of the Heads of Delegation participating in the G8 Summit on May 26, 2011 in Deauville, France. (Photo by Franck Prevel/Getty Images)

Dancers perform at fuse's LadyGagaThon at fuse Studios on May 23, 2011 in New York City. (Photo by Cindy Ord/Getty Images)

Racing fans soak up the sunshine and dress to impress during Ladies Day at the Aintree Grand National meeting on April 8, 2011 in Aintree, England. Friday is traditionally Ladies day at the three-day meeting of the world famous Grand National, where fashion is as important as the racing.

Canada-based photographer and graphic designer Ulric Collette came up with probably the coolest family photo shoot idea ever.

Photograph Jill Greensberg is known for her ability to bring human qualities into animal photography. Her “Bear Portraits” project carries all the spectrum of emotions and personalities along with the depths of characters captured in different members of the Ursidae family

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.