Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

A Syrian youth Khaled from Raqqa walks on snow wearing slippers in the Bekaa Valley refugee camp in Lebanon after the first heavy snow storm hit Lebanon, January 3, 2016. (Photo by Jamal Saidi/Reuters)

Children play at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, March 29, 2016. (Photo by Marko Djurica/Reuters)

Children play on an uprooted tree along a beach in Mele, Vanuatu that was once lined with vegetation, now largely lost to storms, erosion and other environmental pressures on Saturday, July 19, 2025. (Photo by Annika Hammerschlag/AP Photo)

African migrants stranded in Costa Rica walk near garbage on the Inter-American highway at the border between Costa Rica and Nicaragua, in Penas Blancas, Costa Rica, September 8, 2016. (Photo by Juan Carlos Ulate/Reuters)

Members of the Paraguay-African cultural group Kamba Cua dance during celebrations in honor of Saint Balthazar, one of the Three Kings, on Epiphany in Fernando de la Mora, Paraguay, late Saturday, January 8, 2022, just days after the official holiday. The annual procession is a tradition that keeps Paraguay's Afro-descendants connected with their African roots through ancestral dance, drumming and customs. (Photo by Jorge Saenz/AP Photo)

This photo taken on October 23, 2022 shows a soap bubble reflecting the Namsan Seoul Tower at Namsan Park in Seoul, South Korea. (Photo by Xinhua News Agency/Rex Features/Shutterstock)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)