A cat is presented during “The "3rd International Pursaklar Cat Beauty Fest”, on October 14, 2018 in Ankara. (Photo by Adem Altan/AFP Photo)

A woman in a Cholita dress poses for photos, at the Uyuni Salt Flat in Bolivia on March 26, 2022. (Photo by Claudia Morales/Reuters)

The Forth Bridge is engulfed by mist on one of the coldest days of the year, on December 12, 2022, in Edinburgh, Scotland. (Photo by Ken Jack/Getty Images)

A pedestrian carries a shopping bag and looks at his phone while walking past a mural decorating a construction site in central Sydney on November 6, 2023. (Photo by David Gray/AFP Photo)

A grizzly bear fishes for salmon under the Northern Lights in Klukshu, Yukon, in the north of Canada on March 3, 2025. The bear makes use of the darkness because the salmon can't see well enough to swim away. (Photo by Peter Mather/Solent News & Photo Agency)

The new MacBook Pro is shown during the keynote address at the Apple 2012 World Wide Developers Conference (WWDC) at Moscone West on June 11, 2012 in San Francisco, California. This is Apple’s latest flagship laptop featuring an updated processor and a super high resolution screen that features 5.1 million pixels – 3 million more than a typical high-definition television.

A woman wearing a protective mask is seen behind a girl dressed in a Plague Doctor Mask in Western-Ukrainian city of Lviv, Ukraine, 22 March 2020. Ukrainian Designer Anastasia Markovska sewed protective masks looking like Plague Doctor Masks, the traditional costume of Venice Carnival, for herself and her friends due to the ongoing pandemic of the COVID-19 disease caused by the SARS-CoV-2 coronavirus. In Ukraine had been 47 laboratory-confirmed cases of COVID-19, including three deaths and one recovery as Ukraine's Health Ministry announced. (Photo by Pavlo Palamarchuk/EPA/EFE)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)