An employee of Daikin Industries Ltd works the production line of outdoor air conditioning units at the company's Kusatsu factory in Shiga prefecture, western Japan March 20, 2015. As Japan heads into the season of peak demand for room air-conditioners, Daikin managers have been tasked with figuring out how to boost output by some 20 percent at the 45-year-old Kusatsu plant that six years ago the company had almost given up on as unprofitable. (Photo by Yuya Shino/Reuters)

A woman wearing a mask walk in a street in a Yonghegong Lama temple compound seen shrouded in smog in Beijing, China, 30 November 2015. Beijing issued an orange alert for heavy smog 30 November, the highest level this year. Authorities in the Chinese capital warned of 'severe pollution' and advised the capital's 20 million inhabitants to stay indoors. (Photo by How Hwee Young/EPA)

Two women react to the camera as Nightclub Circus hosts the first dance event, which will welcome 6,000 clubbers to the city's Bramley-Moore Dock warehouse on April 30, 2021 in Liverpool, England. The event is part of the national Events Research Programme which will provide data on how events could be permitted to safely reopen. (Photo by Anthony Devlin/Getty Images)

Over the years a large population of grey herons have made an unlikely home in urban Amsterdam. Julie Hrudova documents how the birds integrate into city life. Here: Hundreds of herons come to the city during winter to find food and shelter. (Photo by by Julie Hrudova/The Guardian)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

Imogen Bankier of Scotland (L) and Chris Adcock of England in action during their round one mixed doubles match in the Yonex All England Badminton Open Championship on March 9, 2011 in Birmingham, England.