A girl goes to school just before sunrise in Frankfurt, Germany, Wednesday, December 11, 2019. (Photo by Michael Probst/AP Photo)

Girls during a class at the Teire Irish dance school in Moscow, Russia on March 15, 2019. (Photo by Sergei Karpukhin/TASS)

David Lazar is a travel photographer and musician from Brisbane, Australia, who loves to capture moments of life, beauty and culture through photography. He is drawn to locations which have a rich cultural background and he is especially interested in portrait and landscape photography.

In collaboration with Pet Stylist Ruben Santana, Sophie Gamand has photographed dogs as they are being washed before grooming. The way the water plays with their hair, and their facial expressions as the water is poured on them creates striking portraits that resemble famous humans or important characters.

Series of portraits by Muir Vidler for his project Rebels Without a Pause: Britain's ageing rebels and mavericks.

These animal portraits and painted headdresses by Amy Hamilton are adorably perfect for this time of year. They feel so soft and wintery, and would make amazing notecards for gifts.

Ukrainian artist Dariya Marchenko works on a portrait of Russian President Vladimir Putin named “The Face of War” which is made out of 5,000 cartridges brought from the frontline in eastern Ukraine, in Kiev, July 23, 2015. The portrait will be presented along with a novel which will tell personal stories of six people involved in this project including Daria's own story and stories of people who helped her to collect shells from the frontline. Daria Marchenko calls her art approach philosophic symbolism where every element has its hidden meaning. In her works cartridges mean human's life that was brutally ended. (Photo by Gleb Garanich/Reuters)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)