An employee of Paris city Hall removes padlocks clipped by lovers on the fence of the Pont des Arts over the River Seine in Paris, December 9, 2014. For years, visiting couples have hung brass padlocks on the iron grills lining the city's bridges to symbolise their undying love – they write their names on the locks, then toss the key into the Seine below. About 700,000 love locks are added every few months and Paris officials say they are damaging the bridges and threatening safety because of the added weight. (Photo by Philippe Wojazer/Reuters)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

The new Toyota Camry Hybrid LE is parked next to the redesigned 2012 Camry SE after the unveiling event on the Paramount Studios lot on August 23, 2011 in Hollywood, California. The five-seat Camry SE and the Hybrid XLE sedans go on sale in December. (Photo by Kevork Djansezian/Getty Images)

The princesses that star in Disney’s classic movies inhabit beautiful fantasy worlds, but it apparently doesn’t take much to turn these into dark, nightmarish realms. Jeffrey Thomas, a cartoon artist and character designer in California, reimagines what our favorite Disney heroines would look like if their worlds were a whole lot darker and creepier.

Once upon a time a girl named Laura lived in Columbus, Ohio. She had a nice family, and got good grades, but it was always rainy and cold in Columbus, which was neither nice nor good, so she wore lots of sweaters and turned the heat up when her dad wasn’t looking.