(L-R) American singers Gwen Stefani of No Doubt and Olivia Rodrigo perform at the Coachella Stage during the 2024 Coachella Valley Music and Arts Festival at Empire Polo Club on April 13, 2024 in Indio, California. (Photo by John Shearer/Getty Images for No Doubt)

Presentation of The work of Italian artists Antonio Garullo and Mario Ottocento, called “The Italian Dream” showing a wax figurine of Italy's former prime minister Silvio Berlusconi as being dead or asleep inside a glass shrine, is exhibited on May 29, 2012 at the Ferrajoli Palace in the center of Rome, Italy. In this controversial work Berlusconi is smiling, wearing funny slippers and the trousers open. (Photo by Alessandro Bianchi/Reuters)

An F/A-18 Hornet assigned to Strike Fighter Squadron One Five One (VFA-151) emerges from a cloud created when it broke the sound barrier in the skies over the Pacific Ocean, July 7, 1999. (Photo by John Gay/US Navy)

Kathleen Darling, wife of disabled veteran Caleb Darling, celebrates a shot during a sled hockey game on March 29, 2012 in Aspen, Colorado. (Photo by John Moore/Getty Images)

Beekeeper and Chairman of The London Beekeepers Association John Chapple installs a new bee hive on an urban rooftop garden in Hackney on July 1, 2009 in London, England. (Photo by Dan Kitwood/Getty Images)

Devotees of the small farming village of Bibiclat celebrate the Feast of Saint John the Baptist while covered in banana leaves and mud on June 24, 2025 in Aliaga, Philippines. Known as the “Taong Putik” (mud people), the ritual happens yearly in this small farming village as their own version of expressing their faith and celebrating the feast of Saint John the Baptist whom the survivors of the Japanese occupation in 1944 in their area prayed to for rain to save their fellow villagers. (Photo by Ezra Acayan/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)