Guillermo Rodriguez and Sports Illustrated Swimsuit Issue cover model Kate Upton arrive at Club SI Swimsuit hosted by the Pure Nightclub at Caesars Palace at the Pure Nightclub at Caesars Palace on February 16, 2012 in Las Vegas, Nevada. (Photo by Michael Loccisano/Getty Images for Sports Illustrated)

A doll's face is covered with supportive messages for government-proposed reforms during the International Workers' Day march in Bogota, Colombia, May 1, 2024. (Photo by Fernando Vergara/AP Photo)

Floodwaters cover a Buddhastatue of at Wat Taku Buddhist temple in Bang Ban district in the central Thai province of Ayutthaya on November 14, 2025. (Photo by Lillian Suwanrumpha/AFP Photo)

An urban Opossum covered in light snow visits a suburban Chicago deck on December 10, 2025. (Photo by H Rick Bamman/ZUMA Press Wire/Rex Features/Shutterstock)

J. Schwartz (C) and Marianne Wittelsberger (2nd R) of Consumer Watchdog dress as members of the “Google Track Team” in a hallway of the Dirksen Senate Office Building prior to a hearing on Google September 21, 2011 on Capitol Hill in Washington, DC. Members of Consumer Watchdog attended the antitrust hearing dressed as the “Google Track Team” in white tracksuits emblazoned with Google's motto, “Don't be evil”, wearing “Wi-Spy” glasses and pretending to track unsuspecting people during the event. (Photo by Alex Wong/Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

An Indonesian model wearing a colorful costume participates in a parade during the Batam Island International Culture Festival in Batam Island, Indonesia, 16 December 2017. Batam Island, an industrial area in Indonesia, is boosting the tourism sector to improve the economy of its community by eyeing the visitors' boom of next door country Singapore. (Photo by Hotli Simanjuntak/EPA/EFE)