«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."

Two Hindu holy men of the Juna Akhara sect are being take on a motorcycle by their teacher as they got delayed for a rituals that are believed to rid them of all ties in this life and dedicate themselves to serving God as a “Naga” or naked holy men, at Sangam, the confluence of the Ganges and Yamuna River during the Maha Kumbh festival in Allahabad, India, Wednesday, February 6, 2013. The significance of nakedness is that they will not have any worldly ties to material belongings, even something as simple as clothes. This ritual that transforms selected holy men to Naga can only be done at the Kumbh festival. (Photo by Rajesh Kumar Singh/AP Photo)

“These are the stunning shots of one photographer who is putting everyday “selfies” to shame. Paul Zizka, 34, began experimenting with night photography just two years ago and immediately became fascinated with the spectacular scenes he discovered. To create something more unique he started adding himself into the shot – as well as showing others the beautiful surroundings he had been exploring. Using lengthy exposure, the photographer felt that featuring himself in some of his shots – the night sky illuminating the mountains around him – created a relationship between the central figure in the image and the nature around him”. – Caters News. Photo: Paul Zizka in “Galactic Gateway”, Bow Lake, Banff National Park, May 11, 2013. (Photo by Paul Zizka/Caters News)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)