Cynthia the Kodiak Bear enjoys a whole Tasmanian Atlantic Salmon to celebrate her 28th birthday at Taronga Zoo on January 17, 2005 in Sydney, Australia. (Photo by Matt King/Getty Images)
An Egyptian street vendor carries plastic dishes on a street decorated for the holy month of Ramadan in old Cairo, Egypt June 1, 2016. (Photo by Amr Abdallah Dalsh/Reuters)
Afghan wrestlers compete in a bout of traditional mud wrestling competition during the Friday weekend at a field in Chaman-e- Huzuri ground in Kabul on October 21, 2022. (Photo by Wakil Kohsar/AFP Photo)
Sunrise over Maridalsvannet in the forest areas near the outskirts of Oslo, the capital of Norway. Winter is approaching, the first snow covers the ground, and the water has already got a thin layer of ice. The temperature is significantly below the freezing point, the air is clear and the sun colors the morning clouds in deep tones. (Photo by Tore-Thiis-Fjeld/Getty Images)
Touching and dramatic portraits and landscape shots have won prizes at Australia's prestigious photography prize. Photo: Winner of the NSW (New South Wales) prize: Peter Solness said: “I wanted to re-imagine the lost waterways, so I got my light-painting tools to work. In this image, water is being released from the top of the historic Centennial Park No. 2 Reservoir, which was built in 1925 and holds 90 megalitres of water. After 89 years of incarceration these waters now run free!”. (Photo by Peter Solness/Head On)
Winners of Spain's Christmas Lottery “El Gordo” celebrate in El Gastor, near Cadiz, December 22, 2014. The total prize money of 2.4 billion euros is split into thousands of cash prizes amongst hundreds of winning numbers. (Photo by Jon Nazca/Reuters)
Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)