A performer dressed as a lobster is seen during a lobster-themed electronic music party at a water park on August 01, 2020 in Hangzhou, Zhejiang Province of China. (Photo by Lian Guoqing/VCG via Getty Images)

A tourist pets a cat before the “Horus protects Ramses II as a child”, dating to the reign of the Ancient Egyptian New Kingdom pharaoh (1303-1213 BC), at the Egyptian Museum in the centre of Egypt's capital Cairo on October 19, 2022. (Photo by Amir Makar/AFP Photo)

A student from “the cliff village” in Atule'er climbs newly-constructed steel ladders after school to go home for holidays, in Liangshan Sichuan province, China, November 19, 2016. The steel ladders which replaced the unsafe vine ladders shortened the time taken for the children to go home, from three hours to two. (Photo by Reuters/Stringer)

Devotees wear costumes made of banana leaves as they head to church to attend mass as part of a religious festival, in honor of St. John the Baptist, also known locally as the “mud people” festival, in Aliaga town, Nueva Ecija province, north of Manila, on June 24, 2017. Farmers coated in mud paraded in Philippine villages on June 24 to mark one of the Catholic nation's most colourful religious festivals. (Photo by Noel Celis/AFP Photo)

Workers carry a metal sheet at a dockyard in Dhaka, Bangladesh, December 5, 2018. (Photo by Mohammad Ponir Hossain/Reuters)

Francisco Solano poses for a photo in his bird-feather suit after attending a Mass commemorating the feast day of St. Francis Solano, in Emboscada, Paraguay, Friday, July 24, 2015. Some 500 people attended the festivity – a mix of indigenous and Guarani Indian beliefs. The festival begins with a Mass, continues with a procession of the diminutive wooden statue of St. Francis, and ends with people dancing in suits made with black, white, brown and grey feathers. (Photo by Jorge Saenz/AP Photo)

Horse archery competitor Kimberley Robertson with her horse Chiko at her home in Hirstglen, Queensland, Australia on April 9, 2024. (Photo by Aston Brown/The Guardian)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)