British underwater photographer of the year – winner. “Love Birds” by Grant Thomas (UK). Location: Luss Pier, Loch Lomond, Scotland. Thomas’s initial idea was to frame a split shot of one swan feeding below the surface of the water but when he noticed how comfortable they were around him he was confident, with some patience, he could get that magical shot of the two. (Photo by Grant Thomas/UPY 2018)

Cyclists desperately try to keep their heavily-laden bicycles upright as they arrive at a market with baskets full of pineapples on August 23, 2018. The men travel up to 12 and a half miles with two baskets tied to the sides of their bikes, carrying between 50 and 100 pineapples to sell. Each of the bicycles is so heavily laden with fruit it is impossible for the men to actually ride their bikes, instead having to walk alongside them. When they arrive at the market place in Madhupur, Bangladesh, buyers will pay up to 30 Taka for a pineapple – the equivalent of around 28 pence. (Photo by Abdul Momin/Solent News & Photo Agency UK)

Takahiro Shito, 47, and his wife Sayomi Shito, 46, pray with their children Tomoka, 14, and Kenya 16, and their great uncle Akinori Takahashi, 76, as they pay respects to their daughter Chisato,12, buried in a nearby cemetery, victim of the Okowa Elementary School tragedy, who was killed during last year's tsunami on March 11, 2012 near Ishinomaki, Japan. Teachers at the school weren't trained for tsunami evacuation and didn't to lead the children up the snow covered mountain behind the school after the tsunami warning was sounded. Out of 108 students at the school, 74 died and four remain missing; 10 of the school's 13 teachers were also killed. (Photo by Daniel Berehulak /Getty Images)

Over the years a large population of grey herons have made an unlikely home in urban Amsterdam. Julie Hrudova documents how the birds integrate into city life. Here: Hundreds of herons come to the city during winter to find food and shelter. (Photo by by Julie Hrudova/The Guardian)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)