A diesel locomotive has ended up in the river Venoge on March 8, 2013 near Penthalaz, Western Switzerland. The freight locomotive derailed near Cossonez railway station with its driver slightly injured. (Photo by Fabrice Coffrini/AFP Photo)

People stand in front of an murals at Lodhi Art District in New Delhi on March 24, 2019. Visitors throng Lodhi colony which has murals by dozens of Indian and international artists. (Photo by Sajjad Hussain/AFP Photo)

A sign that reads “No more massacres LGBT” is seen to remember the victims of the Pulse nightclub mass shooting in Orlando, near the U.S. Embassy in Mexico City, Mexico, June 14, 2016. (Photo by Edgard Garrido/Reuters)

Festival goers participate in a dance class on embracing kinetic intimacy in the dance shala a the Oregon Eclipse Festival, August 20, 2017, at Big Summit Prairie ranch in Oregon' s Ochoco National Forest near the city of Mitchell ahead of the total solar eclipse on August 21, 2017. (Photo by Robyn Beck/AFP Photo)

Labourers work at the installation site of Liquefied Petroleum Gas (LPG) pipeline on May Day or Labour Day in Chandigarh, India, May 1, 2015. (Photo by Ajay Verma/Reuters)

Actress Vanessa Hudgens attends Carolina Herrera SS20 during New York Fashion Week in New York City on September 9, 2019. (Photo by Christopher Peterson/Splash News and Pictures)

People stand in the rain as they wait to enter the Martyrs' Mausoleum during a ceremony for Martyrs' Day in Yangon on July 19, 2020. Myanmar observed the 73rd anniversary of Martyrs' Day on July 19, marking the assassination of independence heroes including Aung San Suu Kyi's father, who helped end British colonial rule. (Photo by Sai Aung Main/AFP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.