Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

“Sony Bravia has been a bench mark in quality advertising for years now and I’m very happy to have been chosen by McCann Worldwide to shoot this campaign for them.
We flew to a volcano in Costa Rica where it took the inhabitants of an entire village a full week to pluck all the flower petals…. enough to fill two huge lorries!
With the help of a special effects team, the petals were blown and exploded through our landscapes creating hugely detailed vista which echoes the extreme detail of Sony’s new 4k tv.”

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.

A Dartmoor Hill pony foal runs on the moor on Dartmoor on May 17, 2011 in Princetown England. Although a tourist attraction, especially during the foaling season and often seen as part of the landscape of Dartmoor, many ponies face an uncertain future due to unsustainable breeding and their falling market values. The charity South West Equine Protection estimates that last year 1500 ponies were slaughtered – with many being sold for lion meat to nearby zoos. Along with other equine charities, they are calling for the removal of stallions from the moor to bring numbers down to sustainable levels. (Photo by Matt Cardy/Getty Images)

Catherine Nelson is a visual artist who uses the digital medium to paint images together into personal and imaginary landscapes. Trained as a painter in Sydney and London and with years of experience in the creation of visual effects for feature films like Moulin Rouge and Harry Potter, she now has dedicated her skills to her own art work combining the techniques from both these worlds into a new contemporary art medium. Her latest series have been exhibited in Australia, New Zealand, China, Korea, USA and Europe and have captivated audiences and art collectors in cities like Sydney, Paris, Los Angeles, Beijing and Seoul.

These stunning light art pictures of skateboarding skeletons were created by Darren Pearson from Los Angeles. He works as a full time illustrator by day and by night he explores the varying landscapes of California in search of the perfect scene for his light-sculptures. Pearson makes complex light-effect photographs, none of which are photoshopped. He describes the work as location-based light art. Photo: A light skateboarder grinding a rail. (Photo by Darren Pearson/Caters News)