Kim Kardashian heads out in Miami wearing a see-through nude color top on September 17, 2016. (Photo by Splash News and Pictures)

Men ride a scooter through a flooded street after heavy rains in New Delhi, India, August 6, 2019. (Photo by Adnan Abidi/Reuters)

A bank employee exits the bank through a window broken by attackers, in Beirut, Lebanon, Wednesday, September 14, 2022. (Photo by Hussein Malla/AP Photo)

People move on a tractor through a flooded street amid severe flooding in Feni, Bangladesh, on August 25, 2024. (Photo by Mohammad Ponir Hossain/Reuters)

Postcards for Ants is an ongoing painting project by Cape Town artist Lorraine Loots who has been creating a miniature painting every single day since January 1, 2013. The artist works with paint brushes, pencils, and bare eyes to render superbly detailed paintings scarcely larger than a small coin. After the first year, Loots relaunched the project in a second phase inspired by Cape Town’s designation as World Design Capital 2014.

A girl struggles with winds from approaching Typhoon Matmo along the eastern coast of Keelung, northeastern Taiwan, Tuesday, July 22, 2014. (Photo by Wally Santana/AP Photo)

Using acrylic paint, 19-year old Japanese student and artist Chooo-San has transformed the bodies of herself and a handful of lucky volunteers into ones that appear to be from another planet. Bored with technology, she wanted to see how far she could go with creating eye-catching illusions in the real world, rather than relying on programs like Photoshop.

SEE ALSO: «A frightening-realistic Body Art by Chooo-San»

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.