“With a fourth explosion rocking the Fukushima nuclear plant on Tuesday, danger of the spent nuke fuel pool boiling and radiation levels at the facility's gate increasing hundredfold, fears of a meltdown in Japan skyrocket”. – Russia Today

Photo: In this handout image provided by U.S. Navy, an aerial view of tsunami and earthquake damage is seen from an SH-60B helicopter assigned to the Chargers of Helicopter Antisubmarine Squadron (HS) 14 from Naval Air Facility Atsugi March 12, 2011 seen from the air of Sendai, Japan. (Photo by U.S. Navy via Getty Images)

A child coughs as migrants and refugees run away after Macedonian police fired tear gas at hundreds of Iraqi and Syrian migrants who tried to break through the Greek border fence in Idomeni, on February 29, 2016. Greek police said more than 6,000 people were massed at the border, in a buildup triggered by Austria and Balkan states capping the numbers of migrants entering their territory. (Photo by Louisa Gouliamaki/AFP Photo)

Rebelling against political propaganda, acclaimed photographer Antanas Sutkus embarked on a life-long journey to capture the everyday scenes around him. Antanas Sutkus, born in 1939, studied journalism at Vilnius University in the late 1950s before becoming disillusioned by the confines of the Soviet-controlled press. He began taking photographs instead, and soon co-founded the Lithuanian Association of Art Photographers. Here: The first Lithuanian bikers, 1974. (Photo by Antanas Sutkus)

A physically challenged girl looks at her brother as she is kept in a basin to seek alms from people on the street in Kano, Nigeria December 30, 2015. The girl has suffered from her condition since birth. (Photo by Reuters/Stringer)

A steam traction engine with a broken rear axle in Pall Mall, London. (Photo by Topical Press Agency/Getty Images). November 1923

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

A women rides a motor bike on a street covered with volcanic ash from an eruption of Mount Kelud, in Solo, Indonesia, Friday, February 14, 2014. A major volcanic eruption in Indonesia blasted clouds of ash and debris 18 kilometers (12 miles) into the air on Friday, forcing authorities to close six airports, cancel flights elsewhere in Southeast Asia and evacuate more than 100,000 people from the mountain. (Photo by Hafidz Novalsyah/AP Photo)