circa 1930: The neon illuminations of a wedding Chapel in Las Vegas.

“1955 was a year of change for Marilyn Monroe. After leaving Hollywood for New York, and abandoning her contract with Twentieth Century Fox, Marilyn was no longer “just a dumb blonde”, but a true renegade. In January, Marilyn formed a production company with photographer Milton Greene, and moved into a suite at the Ambassador Hotel”...

Photo: American actress Marilyn Monroe (1926–1962) leans over the balcony of the Ambassador Hotel in March 1955 in New York City, New York. (Photo by Ed Feingersh/Michael Ochs Archives)

A man smashes an apple with a sword placed on the head of a man wearing a knave costume during the Easter knight event on April 21, 2014 in Berlin. The easter knight event delivers an insight into medieval lifestyle. (Photo by Rainer Jensen/AFP Photo/DPA)

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.

A reveller holds a sign reading “2020BYE” as a small number of people begin celebrating New Year's Eve at the Sydney Harbour waterfront amidst tightened COVID-19 regulations in Sydney, Australia, December 31, 2020. (Photo by Loren Elliott/Reuters)

A man passes a poster depicting French presidential election candidate for the far-right Front National (FN) party Marine Le Pen with the face of U.S. President Donald Trump reading “Do not Trump yourself. Choose France. Vote!” on May 5, 2017 in Paris. (Photo by Joel Saget/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

A riot policeman fires into the air during clashes with opposition supporters at a rally demanding a referendum to remove President Nicolas Maduro in Caracas, Venezuela, May 11, 2016. (Photo by Carlos Garcia Rawlins/Reuters)