A baby sloth uses his mother as a hammock while she feasts on papayas in Heredia province in Costa Rica in April 2023. (Photo by William Steele/Solent News)

The Sunda lemur uses a special membrane to “fly” between trees while on the lookout for food in Java, Indonesia in the last decade of June 2024. (Photo by Dzulfikri/Solent News)

The Mexican singer Peso Pluma performs on his Éxodo Tour at the Intuit Dome in California, US on August 24, 2024. (Photo by Christopher Polk/Billboard/Getty Images)

Finding just the right spot above the clouds at Camp 1 on Ama Dablam, Danuru Sherpa uses his iPhone to catch up with friends and family. Even at 18,500 feet (5,654 meters), climbers here can check their email and other dispatches from the world below. (Photo by Aaron Huey/National Geographic)

Bonbibi, Treehouse Point, Fall City, WA. The Bonbibi is balanced on two steel yokes. The yokes spread out the load and allow for tree growth and movement in the wind. A small deck hangs from the beams below and uses the treehouse itself to shelter guests. (Photo by Pete Nelson)

Alpacas peek out of their box in Kielnarowa, Poland, June 11, 2014. A total of 35 female and 3 male alpacas were imported from Chile by the Rzeszow University of Information Technology and Management Center Zoo to be used for the therapy of children. Alpacas also provide one of the most expensive wools. (Photo by Darek Demanowicz/EPA)

A forest near Chatillion, a small village in Belgium, used to be home to a vintage car graveyard. This “car graveyard” has since been cleaned up, but photographer Theo van Vliet had the chance to explore the forest and photograph the cars beforehand. (Photo by Theo van Vliet)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)