British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)

One of the highlights on the Audi stand is the bicycle technology concept known as the Audi e-bike Wörthersee – a sport bike that does not fit into any of the usual categories. It is neither a pedelec nor a conventional bike, but is best described as a high-end pedelec made by Audi for sport, fun and tricks. The Audi e-bike Wörthersee combines the Audi brand’s principal competences – design, ultra, connect and e-tron – and explores the limits of what is technically feasible in terms of design, lightweight construction, networking and electric mobility.

The Dark Knight (2008) was a visual feast firmly grounded in reality. But what if it had been a little more "freaktastic?" Professional concept artist Rob Bliss, who also worked on Lara Croft: Tomb Raider (2001), Watchmen (2005) and Jack the Giant Killer (2009-10) created some truly bizarre visuals for the film. Some are available in his portfolio including The Joker (Heath Ledger), the Joker's clown masked men in the bank heist and horrific images of Harvey "Two-Face" Dent (Aaron Eckhart).

Suso33 spent the last few days perched on a yellow crane to work on this impressive new piece on the streets of Madrid, Spain. Using a rather simple technique, the Spanish artist painted a brilliant piece which enters directly amongst our favourite artworks this year. This mural is a concentration of slightly outlined figures which are persecuted by their shadows, but if the viewer, instead of focusing on details, looks at the entire picture, what he sees is another figure. Take a look at more images after the jump and if you are in the area, you'll be able to find the piece at plaza del Poeta Leopoldo de Luis.

These sand-swept images show the ghostly remains of what was once a mineral-rich mining community. In its heyday, the town of Kolmanskop, Namibia, was home to about 700 families. Now all that remains are empty homes filled with sand, while cast-off items such as bathtubs are scattered about the surrounding area. Over time, the sand of the stunning dunes that encircle the town of Kolmanskop has been blown towards the abandoned residences, coating everything from streets to the interiors of houses and workshops. Here: Kolmankop, an abandoned mining town in Namibia. (Photo by David Ogden/Caters News)

A deserted alley in the ghost town of Apice, in the province of Benevento, southern Italy, 22 November 2016. After the Irpinia earthquake that took place in southern Italy on 23 November 1980, leaving at least 2,500 people dead, 8,000 injured and 250,000 homeless, the town in the heart of the Sannio area was evacuated and its residents moved into what has become the new Apice. Only recently the narrow streets and the tragically abandoned buildings have started, slowly, to repopulate. (Photo by Cesare Abbate/EPA)

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)