The world's first 3D printed car – the Stratti – was built in just 45 hours at the International Manufacturing Technology Show which took place between September 8 – 13, 2014. The Strati, which is Italian for layers, has a chassis body made of one solid piece and has a top speed of 40mph. The tyres, seats, wheels, battery, wiring, suspension, electric motor and window shield of the revolutionary vehicle were made using conventional methods. (Photo by Barcroft Media/ABACAPress)

A Dandy Dinnmont Terrier is displayed at the World Dog Show in Rho, near Milan, Italy, Saturday, June 13, 2015. (AP Photo/Luca Bruno)

Radin the Sunda pangolin hitches a ride on Nita as their keeper looks on. The elusive and nocturnal Sunda pangolin produces only one or two offspring a year and Radin is the third pangolin baby born in Night Safari since 2011. (Photo by Wildlife Reserves Singapore)

Rowan Atkinson poses with Shaolin Monks at the “Johnny English Reborn” world premiere at The Entertainment Quarter on September 4, 2011 in Sydney, Australia. (Photo by Lisa Maree Williams/Getty Images)

14th Place. Leaf roller weevil (Byctiscus betulae) lateral view. Image Stacking, Reflected Light 3.7X (objective lens magnification). (Photo by Özgür Kerem Bulur/Nikon Small World Photomicrography 2020)

The Great Picture” is a black and white panoramic print of Marine Corps Air Station El Toro, an old military outpost. The print measures 111 feet wide by 32 feet high on seamless white muslin cloth. (Photo by Caters News)

Fireworks explode over Elizabeth Tower housing the Big Ben clock in London. (Photo by Kirsty Wigglesworth/Associated Press)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)