A nurse shows a syringe with a dose of the COVID-19 vaccine to a citizen who is about to receive it during a vaccination day as part of the campaign in Mexico City at Pepsi Center WTC on May 25, 2021 in Mexico City, Mexico. According to the head of Govermnment, Claudia Sheinbaum, seven municipalities will start their campaign today which plans to apply the first dose to over 500,000 citizens between 50 and 59 years old. (Photo by Hector Vivas/Getty Images)

Mohammad Ramzan, 60, a traditional goatskin water carrier also known as a mashki, fills a bag with water from a handpump to deliver to nearby homes during the fasting month of Ramadan, as the outbreak of the coronavirus disease (COVID-19) continues, in Karachi, Pakistan on April 23, 2021. (Photo by Akhtar Soomro/Reuters)

A woman poses for a photograph in front of a 3D painting at HK 3D Museum in Hong Kong June 26, 2014. (Photo by Tyrone Siu/Reuters)

Actor Kurt Tocci leaps for photographers at the premiere of the AMC series “The Walking Dead: The Ones Who Live”, Wednesday, February 7, 2024, in Los Angeles. (Photo by Chris Pizzello/AP Photo)

A cat, named “Sulo”, is seen in Istanbul's Sultanahmet Square wearing sunglasses, in Turkiye, on December 30, 2022. (Photo by Murat Sengul/Anadolu Agency via Getty Images)

Erin Brooks of Canada surfs in the Heat 3 of the Round of 16 during the 2024 GWM Sydney Surf Pro at North Narrabeen Beach on May 12, 2024 in Sydney, Australia. (Photo by Andy Cheung/Getty Images)

In this image taken with a slow shutter speed, Slovakia's Emma Zapletalová competes in the women's 400-meter hurdle race during the Bislett Games athletics meeting at Bislett Stadium in Oslo, Thursday, June 12, 2025. (Photo by Fredrik Varfjell/NTB via AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)