A sculptural artwork creation is displayed as part of the “Fashion in Motion: Daniel Lismore” exhibition by British multidisciplinary artist Daniel Lismore, at the Victoria and Albert Museum in London, Britain on August 5, 2022. (Photo by Toby Melville/Reuters)

The popular K-pop group Blackpink watch the fireworks at Etihad Park from the stage at the end of the show in Abu Dhabi on Saturday, February 4, 2023. (Photo by Live Nation Entertainment)

Cropped shot of a woman flirtatiously touching leg of man in a suit with her foot under the table. (Photo by LightField Studios/Skyfish Digital Media/Getty Images)

A pilgrim walks on her knees to fulfil her vows, as pilgrims attend the 99th anniversary of the appearance of the Virgin Mary to three shepherd children, at the Catholic shrine of Fatima, Portugal May 12, 2016. (Photo by Rafael Marchante/Reuters)

In this January 31, 2014 file photo released by the United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA), shows residents of the besieged Palestinian camp of Yarmouk, queuing to receive food supplies, in Damascus, Syria. That year, the U.N. was able to deliver food to about five percent of people in besieged areas including Yarmouk, while today estimates show the organization is reaching less than one percent. (Photo by UNRWA via AP Photo)

A native Brazilian competes in a tora competition, which is a race while carrying a log, during the Indigenous Youth Games of Pataxos nation in Santa Cruz de Cabralia, Bahia state, Brazil, April 18, 2016. (Photo by Roosevelt Cassio/Reuters)

Participants wearing costumes and masks take part in the first day of the traditional carnival parade in Mohacs, Hungary, 23 February 2017. The carnival parade of so-called busos, dressed in costumes with frightening wooden masks and using various noisy wooden rattlers, is traditionally held on the seventh weekend before Easter to drive away winter. (Photo by Sandor Ujvari/EPA)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)