A woman representing the Nuestros Pilares feminist group, plays a violin during a demonstration against gender-based violence marking International Women's Day, in Santiago, Chile, Wednesday, March 8, 2023. (Photo by Esteban Felix/AP Photo)

Arctic treasure by Sergey Gorshkov (Russia). An arctic fox carries its egg trophy from a raid on a snow goose nest and heads for a suitable burial spot. Finalist 2017, Animal Portraits. (Photo by Sergey Gorshkov/2017 Wildlife Photographer of the Year)

“Entwined Lives”. Tim Laman, US Winner, Wildlife photographer of the year. A young male orangutan makes the 30-metre climb up the thickest root of the strangler fig high above the canopy in Gunung Palung national park, one of the few protected orangutan strongholds in Indonesian Borneo. Laman had to do three days of climbing to position several GoPro cameras that he could trigger remotely. This shot was the one he had long visualised, looking down on the orangutan within its forest home. (Photo by Tim Laman/2016 Wildlife Photographer of the Year)

New Zealand singer and songwriter Kimbra Lee Johnson showed off her ageless appearance in a new photo shoot early February 2024. (Photo by Spencer Ostrander)

American actress Aubrey Plaza (L) dances with American actress and model Madelyn Cline while sipping Avaline sparkling at Stella McCartney and Baz Luhrmann's Met Gala after party with Casamigos Tequila in Manhattan, New York on May 1, 2023. (Photo by Matteo Prandoni/BFA.com)

A competitor poses on the catwalk during the Miss Bumbum Brazil 2016 pageant in Sao Paulo, Brazil on November 9, 2016. Fifteen candidates compete in the annual pageant to select Brazil' s sexiest female rear end. (Photo by Miguel Schincariol/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)