Hawa Mahal, which translates as the Palace of Winds, was built in 1799 by Maharaja Sawai Pratap Singh. The design of the palace was created by Shreyansh Jain to resemble the crown of Krishna. The design of this unique five-story building is akin to a honeycomb. The main purpose of this building was to allow royal ladies to watch the street below while remaining unseen, since during those times they had a strict code of dressing, which meant covering their faces. The palace was designed to produce the Venturi effect, which created natural air conditioning and kept the interior relatively cool during hot summers.

The “Dancing With Costica” series began when Australia-based photographer Jane Long decided to brush up on her retouching skills. After finding the Costica Acsinte Archive on Flickr, she became fascinated with the images and their subjects, wanting to bring them to life and give them a story. Here: the Costica photo on the left inspired Jane Long to create her version, titled “Innocence”. (Photo by Costica Acsinte Archive/Jane Long)

The Spirit of Ecstasy, also called “Emily”, “Silver Lady” or “Flying Lady,” was designed by English sculptor Charles Robinson Sykes and carries with her a story about a secret passion between John Walter Edward Douglas-Scott-Montagu (second Lord Montagu of Beaulieu after 1905, a pioneer of the automobile movement, and editor of The Car Illustrated magazine) and his love and the model for the emblem, his secretary Eleanor Velasco Thornton. Photo: Worker Ronald Little displays a finished “Spirit of Ecstasy”. (Photo by Stefan Wermuth/Reuters)

William Gibson is not one of the authors that spits out novels like a machine – in his long and fruitful career he has only published 11 novels andof short stories and articles in the tens each. Still his impact on modern literature was huge – the “noir prophet” of the cyberpunk subgenre (that he was one of the pioneers of) has predicted the rise of reality television, virtual reality, video games and the internet. He is a Hugo and Nebula award winning science fiction writer, with a special eye for what the future might bring.

Los Angeles native Mike Stilkey has always been attracted to painting and drawing not only on vintage paper, record covers and book pages, but on the books themselves. Using a mix of ink, colored pencil, paint and lacquer, Stilkey depicts a melancholic and at times a whimsical cast of characters inhabiting ambiguous spaces and narratives of fantasy and fairy tales. A lingering sense of loss and longing hints at emotional depth and draws the viewer into their introspective thrall with a mixture of capricious poetry, wit, and mystery. (Photo by Mike Stilkey)

Kourtney Roy makes eerie self-portraits in desolate yet dramatic locations – with wigs and wardrobe straight out of 1950s melodrama. In these shots, from her “Enter as Fiction – California” series, she plays characters caught in desolate, often abandoned settings. (Photo by Kourtney Roy/Galerie Catherine et André Hug/The Guardian)

Bangladeshi Muslims travel on the roof of an overcrowded train as they head to their hometowns ahead of Eid al-Adha in Dhaka, Bangladesh, Friday, September 1, 2017. The festival commemorates the story of Abraham and his readiness to sacrifice his son as an act of obedience to God, who provided a lamb to be used instead. (Photo by Bernat Armangue/AP Photo)

Tip turkey, dumpster chook, rubbish raptor – the Australian white ibis goes by many unflattering names. But it is a true urban success story, scavenging to survive in cities across Australia as wetlands have been lost. Wildlife photographer Rick Stevens captured them in Sydney. Here: Of all the species affected by river regulation in Australia, the ibis is one of the few that has changed its behaviour and moved to coastal cities. (Photo by Rick Stevens/The Guardian)