For centuries the Highlands peoples of Papua New Guinea fought over land, women and pigs. Sorcery and battle skills could elevate a clan to Bigmanship, where the bigger the “presentation”, the bigger the man. Clans therefore would paint their bodies and create fearsome masks as part of their psy. Here: These are the terrifying tribe of “mudmen” from a remote part of Papua New Guinea. (Photo by Jeremy Hunter/Exclusivepix Media)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

“Rescuers were digging through mud and debris Friday to retrieve more bodies strewn across a farming valley in the southern Philippines by a powerful typhoon. The death toll from the storm has surpassed 500, with more than 400 people missing”. – Bullit Marquez via Associated Press

Photo: Children look at the a damaged road destroyed by flash floods at the height of Typhoon Bopha in the village of Andap, New Bataan town, Compostela Valley province, December 5, 2012. (Photo by Ted Aljibe)

“The Airbus A300-600ST (Super Transporter) or Beluga, is a version of the standard A300-600 wide-body airliner modified to carry aircraft parts and over-sized or awkward cargo. It was officially called the Super Transporter at first, but the name Beluga became popular and has now been officially adopted”. – Wikipedia

Photo: The first Future Strategic Tanker Aircraft wing set is loaded on to a giant Beluga Airbus aircraft for transit to Bremen on February 25, 2009 in Broughton, England. (Photo by Christopher Furlong/Getty Images)

Morgan Davidson is a twenty one year old artist who specializes in highly saturated, realistic color pencil illustrations. Her work includes detailed studies of body parts like the mouth, eye and heart. It also includes still life portraits like the one of herself in this series where the artist's hair is adorned with various found objects. Morgan's work is not simply realism, instead she stylizes the images to fit her own creative vision.