Papier-mache sculptures, also known as “ninots”, burn during the “Nit de la Crema” (Fire Night) of the Fallas Festival in Valencia, eastern Spain, 19 March 2024. Fallas is a fortnight-long fiesta in which installations of parodic papier-mache, cardboard, and wooden sculptures are traditionally burnt every year on the last day of the event in the so-called “Crema” to end the festivities. (Photo by Biel Alino/EPA/EFE)

A firefighter is seen next to flames while working to extinguish a wildfire burning in Gondomar, northern Portugal on July 29, 2025. Almost 2,000 firefighters battled on July 29, 2025 to contain forest blazes across Portugal that have led to almost the whole country being put on high alert for fires. Ten major fires blazed with two in the north and three in the centre of the country causing most concern. (Photo by Carlos Costa/AFP Photo)

A dog sits with a competitor dressed as Santa Claus before an annual charity Santa fun run in Loughborough, central England December 7, 2014. (Photo by Darren Staples/Reuters)

German police officers take pictures as fireworks explode next to the Quadriga sculpture atop the Brandenburg gate during New Year celebrations in Berlin, Germany, January 1, 2017. (Photo by Fabrizio Bensch/Reuters)

A woman and a child make a bonfire at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, April 1, 2016. (Photo by Marko Djurica/Reuters)

Four-year-old Rashida from Kobani, Syria, part of a new group of more than a thousand immigrants, sleeps as they wait at border line of Macedonia and Greece to enter into Macedonia near Gevgelija railway station August 20, 2015. (Photo by Ognen Teofilovski/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.