Families and children play at Brimham Rocks during their half term break in North Yorkshire, UK on February 18, 2025. (Photo by James Glossop/The Times & Sunday Times)

Sophie Roberts admires Angel of the Trench by artists Laura and Paul Carey at the Himalayan Garden and Sculpture Park near Masham, North Yorkshire, UK on October 14, 2025. (Photo by James Glossop/Times Media Ltd)

Horse riding along the beach at Frinton-on-Sea in Essex, UK on Sunday, November 30, 2025 as the sun was setting, Becky James riding Ayla. Photo by Kevin Jay/Picture Exclusive)

A woman wears roller skates with lights on the bottom at Rich City Skate in Richton Park, Illinois, January 12, 2015. A handful of decades-old skating venues put Chicago at the center of a vibrant African-American subculture of urban roller skate dancing that stretches from Atlanta to Detroit and from Los Angeles to New York. While mainstream roller skating has been on a long decline, a new generation of skaters travel a circuit of rinks around the country to compete and show off their moves. (Photo by Jim Young/Reuters)

French artist Thomas Lamadieu, also know as Roots Art, must really love looking at the sky. Every time he looks up, Thomas sees a potential canvas where the building rooftops frame the sky. He photographs it and uses the odd sky shapes to create whimsical line drawings. “My artistic aim is to show a different perception of urban architecture and the everyday environment around us, what we can construct with a boundless imagination,” says Thomas. (Photo by Thomas Lamadieu)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)