Runner-up. “The heavens opened and the streets around Shibuya, Tokyo, were suddenly drenched in even more colour and movement. I was taking photos (my friend was holding the umbrella) when I noticed this woman at the crossing. I’m pleased with the futuristic feel of the image”. (Photo by Katherine Bridgestock/The Guardian)

The Arabian mare “Jenny” curiously sniffs at the child of Raphael Wöllstein, who is on his way to the train, on her daily walk through the Fechenheim district of Frankfurt, Germany on March 8, 2019. Her owner opens the stable door for the 22-year-old horse every morning. Then the animal can decide for itself where it wants to spend the day. So that nobody thinks she's escaped, a sign with the inscription “My name is Jenny, didn't run away, just go for a walk” is on the halter. (Photo by Boris Roessler/dpa)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

Justin Rowe creates these magical sculptures from hand cut books and found images with the help of just a touch of gum arabic and 24 carat gold or palladium leaf. Some are very much in the realms of fairy stories like the one above, but my favourites are the stories below where Justin’s skill brings the book’s own illustrations to life.

After some days with temperatures below freezing point, I was out skating at some lakes at the outskirts of Oslo in Norway. After a while I noticed something on the ice. To my astonishment it was a dead frozen frog.

These illuminating images show the crumbling remains of some of the worlds places of worship. The shots include golden chapels, overgrown synagogues and eerily silent rooms that were once used for prayer. They were visited by Matthias Haker, a 31-year-old photographer from Potsdam, Germany. Adding to the general intrigue of his images, Matthias never discloses the location of a shot – not even the town, country or continent. Here: The Church of All Saints. (Photo by Matthias Haker/Caters News)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List