A production department of a textile factory is seen abandoned in Kaduna, Nigeria November 3, 2016. President Muhammadu Buhari hopes to revive the once flourishing textile and leather industries in northern Nigeria to end the country's dependence on oil exports and diversify Africa's biggest economy. (Photo by Afolabi Sotunde/Reuters)

American model and television personality Kendall Jenner attends the Tiffany & Co. Paper Flowers event and Believe In Dreams campaign launch on May 3, 2018 in New York City. (Photo by Jamie McCarthy/Getty Images for Tiffany & Co.)

Singers “Elle & The Pocket Belles” attend day 3 “Ladies Day” of the Qatar Goodwood Festival on August 3, 2017 in Chichester, England. (Photo by David Hartley/PA Wire)

A man carries his daughter, dressed as Kumari, on a scooter, as they arrive to attend rituals to celebrate the Navratri Festival, on a road outside the Adyapeath Temple, on the outskirts of Kolkata, India on March 25, 2018. (Photo by Rupak De Chowdhuri/Reuters)

A model composes herself during the Ukrainian Fashion Week 2020-2021 at the Mystetskyi Arsenal National Art and Culture Museum Complex on February 4, 2020. (Photo by Irynka Hromotska/Radio Free Europe/Radio Liberty)

A woman leaps while arriving to greet a loved one during CLEAR Connects: A Day of Families, a mass reunion event, at MetLife Stadium in East Rutherford, New Jersey, U.S., May 6, 2021. (Photo by Brendan McDermid/Reuters)

American actress and model Megan Fox nearly busts out of red silk bra as she celebrates 35th birthday with boyfriend Machine Gun Kelly in Santa Monica, California on May 15, 2021. (Photo by Splash News and Pictures)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.