Taking it all in at Trolltunga, a piece of rock which juts horizontally out of a mountain, 700 metres above lake Ringedalsvatnet in Norway. (Photo by Sam Rogers/GuardianWitness)

Hao Han (8), Shaolin kung fu student and child actor. Shaolin Monastery, Henan. (Photo by Mathias Braschler and Monika Fischer)

Women from a local cocoa farmers association called BLAYEYA work in a cocoa farm in Djangobo, Niable in eastern Ivory Coast, November 17, 2014. BLAYEYA is a women's only association with each member owning a field and planting cocoa. (Photo by Thierry Gouegnon/Reuters)

An aerial view of sinkholes (obruk), caused by some form of collapse of the surface layer, in Konya, Turkiye on September 17, 2024. Many sinkholes are observed in the fields of Eseli Plateau located within the borders of Resadiye Neighborhood in the north-west of Karapinar district, where sinkhole formation has increased rapidly in recent years. (Photo by Serhat Cetinkaya/Anadolu via Getty Images)

Natalia Lage Rainha de Drums of the Escola de Samba Inocente de Belford Roxo during a presentation in the parade of the Special Group of Carnival in Rio de Janeiro at Avenida Marques de Sapucai, Sambadrome in Rio de Janeiro on April 21, 2021. The Carnival parades that take place in February were postponed to this month of April due to the high number of cases caused during the pandemic caused by COVID-19 (Coronavirus). (Photo by Thiago Ribeiro/AGIF via AFP Photo)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

The “Dancing With Costica” series began when Australia-based photographer Jane Long decided to brush up on her retouching skills. After finding the Costica Acsinte Archive on Flickr, she became fascinated with the images and their subjects, wanting to bring them to life and give them a story. Here: the Costica photo on the left inspired Jane Long to create her version, titled “Innocence”. (Photo by Costica Acsinte Archive/Jane Long)