A nurse at St. Joseph's Hospital wears a unique mask as the hospital celebrates the release of a COVID-19 patient after 45 days in their care during the outbreak of the coronavirus disease (COVID-19) in Orange, California, U.S., May 5, 2020. (Photo by Mike Blake/Reuters)

A female police officer stands in the street during an anti-government protest in Santiago, Chile, Saturday, October 26, 2019. Chile has been facing days of unrest, triggered by a relatively minor increase in subway fares. The protests have shaken a nation noted for economic stability over the past decades, which has seen steadily declining poverty despite persistent high rates of inequality. (Photo by Rodrigo Abd/AP Photo)

A striking funeral worker takes a break near a casket placed at a parking lot as they protest over changes to a host of procedures and regulations, during the coronavirus disease (COVID-19) outbreak outside the department of home affairs in Soweto, South Africa, September 16, 2020. (Photo by Siphiwe Sibeko/Reuters)

American actress and singer Selena Gomez shared the first pictures from her Bachelorette party in the last decade of August 2025. The 33-year-old actress and singer shared photos on Instagram marking the occasion. (Photo by Instagram)

Zurich soccer player Loris Benito tries to catch a marten during the Swiss Super League match between FC Thun and FC Zurich in Thun, Switzerland, March 10, 2013. (Photo by Marcel Bieri/Keystone)

Alpine driver Pierre Gasly of France slides off the track during a qualifying session at the Formula One Las Vegas Grand Prix auto race, Friday, November 21, 2025 in Las Vegas. (Photo by Nick Didlick/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.