Samy Rose Moshiri, an Iranian American artist and activist, covers the mouth of Belarusian activist Yadviga Krasovskaya after dousing themselves in fake blood on stage at a Freedom Rally for Iran, in support of Iranian women and against the death of Mahsa (Zhina) Amini, outside City Hall in Los Angeles, California, U.S., October 1, 2022. (Photo by Bing Guan/Reuters)

A massive sand storm cloud is close to enveloping a military camp as it rolls over Al Asad, Iraq, April 27, 2005. (Photo by Cpl. Alicia M. Garcia, U.S. Marine Corps/Reuters/U.S. Department of Defense)

Karis, an 8 week old lion cub, growls at a pumpkin as she explores a Halloween treat put in her enclosure by staff at Blair Drummond Safari Park near Stirling, Scotland, Tuesday, October 29, 2013. (Photo by Andrew Milligan/AP Photo/PA Wire)

Cockpit of a SCG 0003S racecar is seen during the 87th International Motor Show at Palexpo in Geneva, Switzerland March 8, 2017. (Photo by Arnd Wiegmann/Reuters)

A woman holds piles of vegetables transported by motorcycle along a street in Phnom Penh, Cambodia on January 22, 2020. (Photo by Tang Chhin Sothy/AFP Photo)

A view of Worker and Kolkhoz Woman, a sculpture by Vera Mukhina, at the main entrance to Moscow's VDNKh exhibition center in Moscow, Russia on September 27, 2017. (Photo by Dmitry Serebryakov/TASS/Barcroft Images)

Undated UK Ministry of Defence handout photo of an RAF Tornado GR4 which has been painted in Gulf War “desert pink” paint scheme to honour the aircraft type's almost continuous operational service since the Royal Air Force helped liberate Kuwait from Saddam Hussein's forces, taken by SAC Rose Buchanan, which has been shortlisted for the general public to pick their favourite RAF Image of the Year. (Photo by SAC Rose Buchanan/MoD Crown Copyright/PA Wire)

“After the death of a teenager (14-year-old Elijah Doughty), hundreds of Indigenous locals took to the streets of Kalgoorlie to vent their anger. Danella Bevis captures the grief and outrage of a family and a community. There is raw aggression in an eruption of racial tensions and violence, and in stark contrast she concludes the narrative with a moment of quiet beauty at a dusk vigil”. (Photo by Danella Bevis/The Walkley Foundation)