The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)

“On the Li River near Xingping in China, Cormorant fishermen work the waterways before dawn amidst the spectacular limestone towers of the Karst landscape. The birds are trained to fetch fish from the inky depths but not swallow them. The fisherman accepts the fish from the birds who dive back for more. Here, still before dawn, the fisherman and his birds head for home”. (Photo and caption by Neville Jones/2014 Sony World Photography Awards)

Layers of breathtaking colour streak the rolling hills of this vast desert, making the landscape appear as though it has been tie-dyed. The natural phenomenon, nicknamed the “Painted Desert”, was formed when the area was once a river floodplain. Each colour corresponds to a different underground geological feature – rocks which have seemingly dyed the layers of earth above. Formed from volcanic activity, the hills at the John Day Fossil Beds National Monument in East Central Oregon, USA, are almost bursting with colour. Pictured: The colourful hills at the John Day Fossil Beds National Monument in East Central Oregon, USA. (Photo by Mark Brodkin/Solent News/SIPA Press)

“The fantastic landscape of Bagan in Myanmar features hundreds of temples and pagodas as far as the eye can see. Experiencing this sight at dawn from the basket of a hot air balloon will remain engraved in my memory for ever. Mick Ryan, judge – What a magical photograph and place. The Buddhist temples and pagodas fill the plains of Bagan in Myanmar at sunrise… the golden hour providing beautiful light to illuminate the retrogression of the temples and balloons toward a misty, mountainous distance. An excellent, exotic photograph that makes you want to book a flight”. (Photo by Alastair Swan/The Guardian)

Dominique Lynch on Tuesday, February 20, 2024 views Daniel Arsham's Unearthed, Bronze Eroded Melpomene, on display during Daniel Arsham: Relics in the Landscape exhibition, the first UK museum display of work by the highly acclaimed North American, at the Yorkshire Sculpture Park in Wakefield, West Yorkshire. (Photo by Danny Lawson/PA Images via Getty Images)

Andre Ermolaev is a photographer from Moscow, Russia (featured previously). In an ongoing series of aerial photos, Andre captures Iceland’s incredible landscape like you’ve never seen. Many of his images focus on capturing glacial rivers flowing through Iceland’s volcanic areas and the patterns and colours that emerge from the resulting flow.

IT'S a relatively simple idea – set up a mirror so you can capture the reflection of a dramatic landscape in a single photograph. Photographer Daniel Kukla, from New York, created a spectacular series of artworks called The Edge Effect using the technique. He clamped the mirror onto an easel and placed it in various settings in the Joshua Tree National Park, California.