Photo: Vladimir Ilyich Lenin (1870 – 1924) lying in state in the Kremlin. (Photo by Hulton Archive/Getty Images). 1924

Important! For the same article in Russian language click here.

Something quite intriguing is happening within Russian-speaking internet during the last few – should you type a fully academic inquiry (at least, according to Russian academic requirements) in national search engines for "Lenin's mausoleum" – the first thing you get (even in top 10 searches) is website pages talking about black magic and occult. Website authors view this construction differently, but unconditionally agree on one thing: the mausoleum of the "leader of the world proletariat” – the essence of a magical artifact, a sort of “energy vampire”. It was built with a certain purpose: to drain the energy out of miserable Soviet citizens on one hand; and to poison the anthroposphere of one-sixth part of the earth with its vibes (the exact territory that was occupied by the former Soviet Union), depriving the Russian people of will to resist on the other hand. Complete nonsense? No doubt. Nevertheless, an intriguing one. Well, probably because some oddities do exist in mausoleum's history. These oddities are the thing we are going to discuss this time. First, let me refresh you memory on the subject.

This is the incredible moment a fierce lightning bolt crashed against the Grand Canyon illuminating the steep canyon walls. Shrouded in darkness, the breath-taking landscape was shocked into life as mother nature sent the bolt storming down to Earth. As it cracked against the rocks the bright blue bolt illuminated the South Rim of the canyon, considered one of the Seven Natural Wonders of the World. With just the Desert View Watchtower in the foreground, the lightning was perfectly framed by the canyon which is located in Arizona, USA. (Photo by Travis Roe/U.S. Dept. of the Interior/Caters News)

The fin of a tuna is seen on display in the outer part of the Tsukiji fish market, the Jogai Shijo, in Tokyo January 4, 2015. The famous Tsukiji wholesale fish and seafood market, is scheduled to leave its fabled 80-year-old halls to move into bigger, more modern facilities next year ahead of the 2020 Tokyo Olympics. The outer part of the market, the Jogai Shijo, that caters to the public will stay in its old place, but critics wonder about its chances for survival without the world's biggest fish trading place at its doorsteps. (Photo by Thomas Peter/Reuters)

A photographer has captured these eerie images showing the scale of some of Britain's deepest darkest wonders. Mike Deere, from Reading, heads to daunting locations such as abandoned mine shafts, miles of sewer tunnels that snake underneath London and even disused cooling towers. Photo: This incredible picture was taken at the Box Freestone Mine, in Wiltshire. Mike revealed that even experienced map readers would struggle to navigate their way around the seemingly endless tunnels that he and his friends visit. (Photo by Mike Deere/Caters News)

If the most popular foods of Rio de Janeiro have one thing in common, it is their informality. You can find fine restaurants in the city, but they do not set Rio apart from other places. What does set it apart, and what invariably brings its residents, known as "Cariocas," together is the unpretentious food they eat in bright, loud, crowded bars and restaurants, on busy street corners, or after a day at the beach. Here: A view of traditional bolinhos de bacalhau (fried codfish balls) in Rio de Janeiro, Brazil, May 7, 2016. (Photo by Sergio Moraes/Reuters)

In this February 1, 2017 photo, environmental activist Maruja Inquilla poses for a photo next to a Municipal waste treatment plant with water that flows into Lake Titicaca, in Juliaca, in the Puno region of Peru. “If the frogs could talk they would say, This is killing me”," said Inquilla, who recently showed up at the Puno governor's house carrying plastic bags filled with hundreds of dead frogs in protest. (Photo by Rodrigo Abd/AP Photo)

Memory Suitcases is a thought-provoking series by Israeli artist Yuval Yairi that uses old, worn suitcases as canvases for nostalgic landscapes. Like scenes out of one's memory, the propped up traveling cases feature a range of sepia-toned settings. The series presents the objects as though they are relics of a civilization from yesteryear, each with their own story to tell.
There's something both heartbreaking and sentimental about the images. It appears to tell a number of stories of leaving one lifestyle for another. The suitcases hold within them a picture show of memories from a life-altering journey. Like a number of his other works, Memory Suitcases "mimics the natural process of memory."

Unwanted phones recreated as interactive birds, part of “Escape III” by Anthony Goh and Neil Mendoza seen on display at the Barbican's Digital Revolution exhibition on July 2, 2014 in London, England. The exhibition brings together artists, designers, film makers, musicians and architects who push the boundaries of creativity that digitial technology can offer, and runs from July 3 until September 14, 2014. (Photo by Matthew Lloyd/Getty Images for Barbican Art Gallery)