A brown capuchin monkey holds a fruit in the Botanic Garden of Rio de Janeiro, Brazil, on July 5, 2013. (Photo by Pablo Porciuncula/AFP Photo)

An athlete pulls a 15-tonne truck during a Truck-Pull event marking the upcoming Independence Day in the Belarus capital Minsk, on July 3, 2014. The former Soviet nation celebrates its Independence Day on July 3 in memory of the end of Belarus occupation by Nazi Germany troops during the Red Army main summer offensive in 1944. (Photo by Sergei Gapon/AFP Photo)

A man dressed as Santa Claus skateboards down Fifth Avenue towing a dog before the annual Christmas tree lighting ceremony at Rockefeller Center in New York on December 5, 2019. (Photo by John Angelillo/UPI/Barcroft Media)

Mott Sreymom, 34, a rat handler with the humanitarian demining organization APOPO, carries an African giant pouched rat back from a landmine field in Siem Reap, Cambodia, Tuesday, June 10, 2025. (Photo by Anton L. Delgado/AP Photo)

English actress Jodie Comer attends The Olivier Awards 2023 after party at the Natural History Museum on April 2, 2023 in London, England. (Photo by David Levene/The Guardian)

Free for Editorial Use Ballerinas from The Royal Ballet School perform on December 2, 2025 under Covent Garden's first festive snowfall to launch the destination's daily December snow flurries. (Photo by Paul Grover/Covent Garden)

Belarus' Aryna Sabalenka poses with the 2023 Australian Open winner's trophy in Royal Botanic Garden in Melbourne on January 29, 2023, following her victory over Kazakhstan's Elena Rybakina in the women's singles final of the tennis tournament. (Photo by Carl Recine/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.