Unforgiving temperatures of up to 60℃ (140℉) beat down on these saltminers on a daily basis. The mines, situated in the Afar Triangle in Ethiopia, stretch across 38,000 sq miles and at their lowest point are more than 300ft below sea level. Joel Santos travelled to capture the area’s dry, brutal beauty. Here: Dromedaries and donkeys are used to transport the salt. (Photo by Joel Santos/Barcroft Images)

An ultra-Orthodox Jewish man inspects an etrog, citrus fruit used in rituals during the upcoming Jewish holiday of Sukkot in Jerusalem's Mea Shearim neighbourhood, October 13, 2016. (Photo by Amir Cohen/Reuters)

Guns decorated with gold and jewellery are displayed in the Drugs Museum, used by the military to showcase to soldiers the lifestyles of Mexican drug lords, at the headquarters of the Ministry of Defense in Mexico City, October 14, 2016. (Photo by Henry Romero/Reuters)

A boy uses a mobile phone as he sits inside his father's snacks shop along a road in Kolkata, India, February 22, 2016. (Photo by Rupak De Chowdhuri/Reuters)

How to make the world a brighter using pen? You just have to complement conventional photographs persons toon, and immediately transformed the world. Aleks Nocny uses simple tools: pens, scraps of paper and your imagination. And the most simple pictures of people on the streets are transformed into a work of art.

Using clever low exposure techinques, photographer Rolf Maeder managed to capture multiple strikes hitting the canyon under atmospheric stormy skies. (Photo by Rolf Maeder)

This interesting and canny project by Joseph Ford combines aerial photography with fashion, using a technique that I have never seen before. The concept is simple, yet ingenious. Using various elements within both the aerial and fashion images, Joseph alligns them next to one another to create an alternative reality, and in some shots, it seems as if the garments were purposely created for this to happen. Such a great project that has so much room for experimentation.

Bryan Berg was introduced to card-stacking by his grandfather at the age of 8. He is a self-taught artist in all of the techniques he uses today. Berg's freestanding card structures are based on a grid-like arrangement, which Berg tested in a structural engineering lab to support 660 lbs per square foot―using no tape, no glue, no folding, and no tricks.