People are reflected in mirrors as they walk in a busy shopping district in Tokyo, Japan, December 25, 2015. (Photo by Thomas Peter/Reuters)

A participant wearing a cosplay costume attends the Japan Expo in Marseille, France, February 22, 2019. (Photo by Jean-Paul Pelissier/Reuters)

A woman holds up an umbrella and license plates, one that reads “love”, during violent protests between riot police and demonstrators in the Causeway Bay district of Hong Kong on October 1, 2019. The city observes the National Day holiday to mark the 70th anniversary of communist China's founding Strife-torn Hong Kong on October 1 marked the 70th anniversary of communist China's founding with defiant “Day of Grief” protests and fresh clashes with police as pro-democracy activists ignored a ban and took to the streets across the city. (Photo by Nicolas Asfouri/AFP Photo)

Mikel Merino of Spain and Maya Yoshida of Japan react on the pitch following a collision during the Tokyo 2020 Olympic Games men's semi-final football match between Japan and Spain at Saitama Stadium in Saitama on August 3, 2021. (Photo by Kim Hong-Ji/Reuters)

A handout picture provided by Global newsroom of Czech Martin Sonka (C) leading Nigel Lamb (top) of Great Britain and Yoshihide Muroya of Japan (down) along the Mount Fuji prior the third stage of the Red Bull Air Race World Championship in Chiba, Japan on June 1, 2016. (Photo by Predrag Vockovic/EPA/Global Newsroom)

Japan's electronics equipment maker MuRata Manufacturing Co., Ltd's showcased their bicycle-riding robot “MuRata Boy” during the CEATEC Japan 2006 exhibition on October 3, 2006 in Chiba, Japan. The “MuRata Boy” robot can ride up a 25-degree slope, stop without losing its balance and make an S-curve without falling. (Photo by Koichi Kamoshida/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.