A view of electricity wires, in Caracas, Venezuela, 03 April 2019. West Venezuela started receiving electricity intermittently in the states of Zulia, Falcon, Merida and Trujillo after 100 hours without power. (Photo by Miguel Gutierrez/EPA/EFE/Rex Features/Shutterstock)

Kylie Jenner attends the 2019 Met Gala celebrating “Camp: Notes on Fashion” at the Metropolitan Museum of Art on May 06, 2019 in New York City. (Photo by Andrew Kelly/Reuters)

A man helps a woman through a flooded neighbourhood in the aftermath of Cyclone Kenneth, in Pemba, Mozambique, April 28, 2019. (Photo by Mike Hutchings/Reuters)

Araya A. Hargate, nickname Chompoo poses on the red carpet for the screening of the film “Les Miserables” during the 72nd annual Cannes Film Festival on May 15, 2019 in Cannes, France. (Photo by Stephane Mahe/Reuters)

A family takes a picture at the Oscar Myer Wienermobile during a visit to “The Flower Fields”, as California opens up from the pandemic, in Carlsbad, California, U.S., March 31, 2021. (Photo by Mike Blake/Reuters)

American singer, songwriter and dancer Britney Spears in the last decade of October 2022 continues to pose nude for her Instagram return. (Photo by britneyspears/Instagram)

Typhoon Haiyan survivor Mariena Delacueva stands amongst the ruins of her families home on November 6, 2014 in San Antonio, Samar, Philippines. Mariena's looks after the property after her parents moved to Manila to find work so they can save enough money to rebuild the house. Residents of Leyte and surrounds are preparing for the 1-year anniversary since Super Typhoon Yolanda struck the coast on November 8, 2013, leaving more than 6000 dead and many more homeless. (Photo by Chris McGrath/Getty Images)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)