Famed for his fascination with animals, British photographer Tim Flach places them in the same position as humans, using the pure form of photography. As friends of humans, animals made their contribution to human development, but their existence were nevertheless often neglected in this process. Tim Flach however gave the public an opportunity recognize these friends. The horse, one of Tim Flach’s favorite animals, is portrayed with an imposing elegance in his tribute to this men’s old friend. Tim Flach’s horse moves like music that undulates between serenity and grandeur.

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Even the powerhouse of Europe has its fair share of abandoned properties and empty shop fronts as seen in these pictures of decaying buildings in Germany. Photographer Daniel Barter, 30, from London traveled Berlin and the surrounding countryside to capture buildings in need of work on film. Far from being resplendent in vintage glory, the deserted music venues and crumbling hospitals are a shadow of their former selves. German eagle motifs flake off ceilings and concert halls designed for hundreds have not seen a show for years. Photo: Lung sanatorium. (Photo by Daniel Barter/Caters News)

An aerial view of a livestock enclosure of the Himba people, in October, 2014, in the Namib Desert, Namibia. A photographer has captured a bird's eye view of the stunning Namib Desert from a paraglider. Theo Allofs travels the world taking stunning pictures of untouched landscapes from a unique perspective. Soaring 300 metres above ground, Theo shot the yellow sand dunes, dry red river beds and remote townships in Namibia. (Photo by Theo Allofs/Barcroft Media)

It is already one of the world’s most iconic cities, but this incredible collection shows how much Paris has changed over the course of the past century. The collection, by French photographer Julien Knez, shows Paris in the 1940s against a backdrop of how the same places look today. Knez says he put the striking collection together to celebrate the 71st anniversary of the city’s liberation from Nazi control in August 1944. Here: Soldiers outside the Hotel De Ville in the 1940s. (Photo by Julien Knez/Caters News)

These stunning photographs may look like alien planets, but they are actually satellite images of planet Earth. Commercial satellite company DigitalGlobe recently released the images as a way of highlighting the incredible detail of their imagery – the highest-resolution commercial satellite imagery in the world. Some of the images – taken above Afghanistan, Algeria, Peru, Russia and the United States – look more like abstract works by Mondrian than segments of the globe. DigitalGlobe, based in Westminster, Colo., launched its first satellite in 1999 and currently has four in operation. Here: Trementina, New Mexico. (Photo by DigitalGlobe/Caters News)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)