Stunning image capture the moment a tiny harvest mouse uses wheat stems as stilts as he munches on a kernel in UK in August 2025. The minute-mouse, who weighs as much as a 2p coin and is only two-inches-long, uses his prehensile tail to keep himself perfectly level. (Photo by Tony Nellis/South West News Service)

A child working at Ship breaking yard in Chittagong, Bangladesh on November 14, 2014. (Photo by Pascal Mannaerts/Alamy Stock Photo)

Poland's Dawid Kubacki soars through the air during the men's FIS Ski Jumping World Cup competition in Engelberg, central Switzerland, on December 20, 2014. (Photo by Fabrice Coffrini/AFP Photo)

Chinese honor guards prepare for the arrival of Palestinian President Mahmoud Abbas and China's President Xi Jinping at the Great Hall of the People in Beijing Wednesday, June 14, 2023. (Photo by Jade Gao/Pool Photo via AP Photo)

France's defender #07 Sakina Karchaoui (L) and France's forward #11 Kadidiatou Diani (R) celebrate their win at the end of the Australia and New Zealand 2023 Women's World Cup Group F football match between France and Brazil at Brisbane Stadium in Brisbane on July 29, 2023. (Photo by Dan Peled/Reuters)

The Arizona State Sun Devils cheer team performs during the second half of the NCAAF game at Sun Devil Stadium on September 01, 2022 in Tempe, Arizona. (Photo by Christian Petersen/Getty Images)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.

French photographer and director Romain Laurent started making portrait-based GIFs as a way to produce work outside his commercial jobs, a spontaneous project that would encourage him to produce consistently for himself rather than clients.