The Slauerhoffbrug (English: Slauerhoff Bridge) is a fully automatic bascule bridge (aka tail bridge) in the city of Leeuwarden in the Netherlands. It uses two arms to swing a section of road in and out of place within the road itself. It is also known as the “Slauerhoffbrug ‘Flying’ Drawbridge”. A tail bridge can quickly and efficiently be raised and lowered from one pylon (instead of hinges). This quickly allows water traffic to pass while only briefly stalling road traffic. The deck is 15 m by 15 m. It is painted in yellow and blue, representative of Leeuwarden's flag and seal.

This image released by Neon shows Matthew McConaughey in a scene from “The Beach Bum”. (Photo by Atsushi Nishijima/Neon via AP Photo)

Egmont National Park in New Zealand with Mt. Taranaki at its center is seen in a Landsat 8 satellite image taken July 3, 2014 and released by NASA November 14, 2014. The image is from the book “Sanctuary: Exploring the World's Protected Areas from Space”, published by the Institute for Global Environmental Strategies with support from NASA, which was released this week. (Photo by Reuters/NASA/USGS)

David Goffin of Belgium meets a koala during a promotional event for the Australian Open tennis tournament at Melbourne Park on January 17, 2018. (Photo by Fiona Hamilton/Reuters/Tennis Australia)

In this photo taken on Monday, August 5, 2019, a family watches explosions at a military ammunition depot near the city of Achinsk in eastern Siberia's Krasnoyarsk region, in Achinsk, Russia. Russian officials say powerful explosions at a military depot in Siberia left 12 people injured and one missing and forced over 16,500 people to leave their homes. (Photo by Dmitry Dub/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.