In this Friday, March 28, 2014 photo, singers of the Moranbong Band, Jong Su Hyang, foreground, and Pak Mi Kyong, left perform on their stage in Pyongyang, North Korea. Step aside, Sea of Blood Opera. North Korean leader Kim Jong Un's favorite guitar-slinging, miniskirt-sporting girl group, the Moranbong Band, is back. And these ladies know how to shimmy. (Photo by Jon Chol Jin/AP Photo)

Police officers detain a Femen activist during a demonstration of supporters of former Spanish dictator Francisco Franco, during annual gathering held on the week of the 45th anniversary of the dictator's death, in Madrid, Spain, November 22, 2020. (Photo by Javier Barbancho/Reuters)

An Israeli policeman prevents a Palestinian man from entering the compound which houses al-Aqsa mosque, known by Muslims as the Noble Sanctuary and by Jews as the Temple Mount, in Jerusalem's Old City September 28, 2015. (Photo by Ammar Awad/Reuters)

A worker sprays disinfectant as sanitization operations against Coronavirus are carried out in the museum hosted by the Maschio Angioino medieval castle, in Naples, Italy, Tuesday, March 10, 2020. (Photo by Alessandro Pone/LaPresse via AP Photo)

A girl wearing a flower wreath takes part in the St. Patrick's Day parade in Dublin, on March 17, 2025. (Photo by Clodagh Kilcoyne/Reuters)

In this photo taken Sunday, October 5, 2014, a library official shows a 13th-century German prayer book containing the earliest evidence of the Yiddish language, at Israel's National Library in Jerusalem. This week, Israel's National Library gave The Associated Press a rare peek at a selection of rare historical manuscripts in its collection. (Photo by Sebastian Scheiner/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.