The works of Hu Shaoming immediately catch the eye of the onlookers with their level on intricacy and uniqueness. To provide a glimpse into the intricate workings of vintage cameras he uses a very unique method. He made it seem as if the fine leather covering of the camera was opened by zipper, showing its innards. A similar technique was used on an ancient telephone, though there it looks more like an embellishment. The idea was so marvelously put into life that it seems as if those items can actually be zipped up, though of course that is not possible.

A Russian digital artist Svetlana Petrova has taken her love of cats to the next level – by adding her furry friend to some of the world's greatest artwork. Svetlana has placed photos of her tabby, called Zarathustra, posing alongside the most well-known pieces in history for her UK exhibition. (Photo by Svetlana Petrova/Zarathustra the Cat)

A gold miner observes from the distance how some women miners work at an open-pit gold mine in Nyarugusu, Geita Region, Tanzania on May 27, 2022. Tanzania is a land rich in minerals and one of the main gold producers in Africa, with gold representing more than 90% of the country's mineral exports. Artisanal and small-scale gold mining have culturally and historically relegated women's participation. The extractive sector in Tanzania has historically been a male-dominated industry with high levels of harassment, sеxual abuse, discrimination and misconceptions over women's involvement, and contributions following traditional beliefs. (Photo by Luis Tato/AFP Photo)

An Emerald City Kickball member makes their way up the parade route on March 02, 2024 in Sydney, Australia. Emerald City Kickball began in 2020 as a project between friends to find a safe and affirming way to create an inclusive community during the COVID-19 pandemic. As a recreational sport that is available to players regardless of skill or experience level, kickball quickly became a vibrant piece of the Sydney LGBT community. (Photo by Don Arnold/WireImage)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.