Actresses perform during the Olympic flame lighting ceremony for the Paris 2024 Olympics Games at the Ancient Olympia archeological site, birthplace of the ancient Olympics in southern Greece, on April 16, 2024. (Photo by Angelos Tzortzinis/AFP Photo)

Robots of the Zurich Federal Institute of Technology play a football game during the International Telecommunication Union (ITU) AI for Good Global Summit in Geneva on May 30, 2024. (Photo by Fabrice Coffrini/AFP Photo)

A player breaks with the bottle during the bottle-kicking game in Hallaton, central England April 6, 2015. The game is played between Hallaton and the neighbouring village of Medbourne each Easter Monday in which participants compete to bring the bottle across a stream that separates the villages. The bottle is an old field barrel holding about a gallon of beer. (Photo by Darren Staples/Reuters)

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.